Book Benches

Along one of the main streets in Istanbul, Divan Yolu Cad, I noticed an interesting book related public art project.  There were at least 12 of these open book benches, each with a different page open. I couldn’t read it, but from the layout it looked like a poem.  The benches were quite comfortable, so I had to wait quite a while until they were unoccupied to take these photos.



The new issue of “The Conservator, Vol. 31, 2008” has a very relevant article relating to the continuing discussion of AIC’s proposed system of certification. Dr. Stan Lester, in the article, Putting conservation’s professional qualification in context gives an overview of the United Kingdoms PACR accreditation process, which has been in place for the last eight years.  In the context of discussing the purpose behind the PACR, “There was a strong view that it needed to be assessed through means that were both valid for the kinds of work that conservators do (not, for instance, using a paper-based portfolio, a written examination or a contrived project) and robust enough to withstand external scrutiny” (p. 6)

It is interesting he specifically rules out a written examination as being a valid and defendable measure of a conservators competence, which is the only model AIC is considering. I’ve read it is too expensive to conduct a more rigorous, UK style certification.  

Certification is very important to our profession– we need to do it right, not just cheap.

Ascent of Man

It is always heartening to find traces of resistance to technological culture, like the graffiti pictured below.

I noticed the first example last year in Oxford, England.  The monkey on the far left looks positively joyful, perhaps existing in a pre-technological garden of eden. The transition between the man making a fist and the one holding the gun is compelling, and it is with the appearence of the gun that the man stops walking–in the next picture he reverts to kneeling. The advent of tools, in this case a gun, threatens the entirety of past evolution and seems to put a halt to human progress.   I often think of fire as the original technology, but warfare might be earlier.   Kubrick had an extended scene about monkeys discovering a bone cub which they use to kill each other in the movie 2001. On the other hand, several of the technologies that are used in Book Preservation (such as microfilming)  were originally developed by the military industrial complex.

Another take on the ascent of man, pictured below, was found last month while in Istanbul, Turkey.  A similar message, but a bit more ambiguous.  Is the man’s final step through a black door?  Is it into a grave?  Or is it a representation of an unknown future that we are carried into by our feet, since we are walking upright?  It reminds me of the monolith in Kubrick’s movie, 2001.

Some of the earliest forms of art used stencils, such as a hand, and it is interesting to see how durable this technique is. For a quick means of reproducing and distributing a visual image, is is perhaps unequalled.  Most of the graffiti (or writing as it is now termed) I see in NYC tends to be mindless tagging or acid etching of windows, which is not very interesting to look at.  But it accomplishes some of the same basic functions as all graffiti by saying “I am here, I have left my mark.”

Come to think of it, blogging could be considered internet graffiti–there are millions of people leaving their digital mark of what they thought about something, not knowing who will see what they have posted. As much as I love using and thinking about tools, I am always aware of their dual nature as Marshall McLuhan summarized so succinctly in Understanding Media: The Extensions of Man.  “We shape our tools and thereafter our tools shape us.”  I wonder how using a tool like the internet will reshape us?