One Year Anniversary

Today is the one year anniversary of this blog. I’ve noticed a number of people celebrate the anniversary of their blog.  Besides birthdays and my wedding anniversary (which both my wife and I often forget!) I can’t think of any other anniversaries I celebrate. Why do I feel like doing one for this blog?  I’ve noticed other bloggers have similar feelings.

I’ve really enjoyed the discipline of writing a post roughly once a week, it has given me a chance to investigate and think about things that are slightly outside the usual scope of conservation discourse.  And it has helped improve, I think, both the speed and quality of my writing, which I hope will become manifest in some other projects.  Tags are a useful tool to organize and build on previous posts–hopefully they will lead to a larger, more coherent whole down the road.  A special thanks to all readers who have submitted comments; there are some valuable, original ideas expressed.

But there are some downsides to blogging.  I really dislike the quantification and statistical nature of the “dashboard”, but it is hard to ignore.  (FYI: This blog has had 19,761 visits, 60 posts, 118 comments and 7,840 rejected spam comments. The most popular post is the tool catalog, with 1,507 visits.)  It can easily become creating popularity for its own sake, as Lee Siegel points out in his book.  Even more distressing is Siegel’s observation that the web 2.0 is in some regards the apotheoses of capitalism– we have become the producers as well as the consumers.  And the plethora of information leads to powerlessness, not empowerment.  Since Communism has collapsed, and Capitalism is on the brink, Marx is becoming more and more appealing.  A great introduction are 13 video lectures by David Harvey,  distinguished professor at the City University of New York, which can be downloaded as video or audio podcasts, or streamed online.  Harvey  has taught Marx’s Capital Volume I for over 40 years– the breadth of his knowledge is amazing and the class is uncannily relevant to our current situation.  

 

NOTES

Siegel, Lee.  Against the Machine: Being Human in the Age of the Electronic Mob.  New York: Spiegel & Grau, 2008.

Homicide In Hardcover

Homicide in Hardcover ” is a new bibliophile murder mystery by Kate Carlisle.  The blurb on the back reads, “Brooklyn Wainwright is a skilled surgeon.  Sure, her patients might smell like mold and have spines made of leather, but no ailing book is going to die on her watch.”  Kate Carlisle has done our profession a huge favor by communicating to the general public some of the exciting things conservators do.  Of course there are many little inaccuracies, but it is a little too easy and unfair to nitpick about things that only those on the inside of conservation know. The most important point is that this book serves to raise our public profile in a reasonably accurate way; it even discusses minimal intervention and the importance of written and photographic documentation.

Amazingly this book also includes a reference to Peachey knives!  The protagonist, Brooklyn, and her arch-enemy, Minka, are sneaking around Abraham’s (a master restorer) studio fighting over who gets these knives, after he was found dead in a pool of blood.

“I’m just looking,” I said, and picked up a polished wood box with the initials “AK” engraved on the top.

Abraham’s personalized set of Peachey knives.

“I have dibs on those, ” she (Minka) said.  “Get your ditry meat hooks off them.”

I shook my head at her.  “You’re a pathetic thief.”

“Those are mine.”

“No, these belong to Abraham.”

She lunged for the box and I whipped my hand away.

“You’re such a bitch!”

“That may be true,” I said.  “But these still don’t belong to you.”

“He can’t use them and I found them first.”

My eyes widened.  I couldn’t help it. Her lack of a moral compass never failed to shock me.  “That dosen’t mean they belong to you..”

“God, I hate you,” she said through clenched teeth.  She swept the rest of her booty to her chest and stomped out. Then she turned back and glared at me. “I hope you die.”

“Back atcha,” I yelled after her.” (pp. 75-76)

I plan to make a set of these knives, in a polished wood box with the initals “AK” engraved on top.  Would this be considered theoretical product placement?  A real knife is the basis for a fictional one,  then the fictional knife is transformed into a real knife? 

This isn’t the kind of book I usually read, but I enjoyed it.  The  descriptions of bookbinders at work were realistic and there are a number of laugh out loud scenes.  And this book seems to resonate with the public:  “I always assumed that book-binding and restoration would be a dull, dry subject but the historical facts and bits of trivia sprinkled throughout this book were so fascinating that instead of being bored I found myself wanting to know more.”  “Who’d have thought book restoration could be so exciting?”   “Who knew leather and vellum could be so captivating?”  

 

Thanks to Marieka Kaye (and her open minded literary taste!) for bringing this to my attention.

Thin Profile Suction Platen

Robert Proctor has invented and manufactures a “Thin Profile Suction Platen” which I haven’t tried, but it looks incredibly useful and is very reasonably priced.  It is less than 1/6″ thick which would make it great for in situ textblock treatments close to the spinePlease contact him with questions.  

He describes the platen:

“About 12 years ago, dissatisfied with the suction platens available at the time, I decided to build one more to better fit my own needs. Encouraged by others who liked my design, I put together 20 platens, the majority of which I sold out of the trunk of my car at the 1997 AIC meeting in San Diego.Instructions for building this platen were published in the Sept 1997 WAAC Newsletter. This generated many phone calls from people asking “won’t you just make one for me?”  Since I considered my time better spent restoring paintings rather than building and selling suction platens, I offered these plans to a manufacturer of conservation equipment, free of charge. While they do produce a platen and continue to market it using my name, much to my  dissatisfaction, it differs considerably from my design. In the interim I made another run of 20 with an improved mounting device.

Unique to my platen is an easy to use light weight design with a combination of: an ultra thin profile; an interior baffle made of solvent resistant materials that maintains even suction across the entire surface of the plenum; construction that allows for the platen to be easily opened for periodic cleaning; and new to the design is a fully articulated a mini ball head mount that enables the platen to be attached to a tri-pod, camera boom or to the included clamp allowing the platen to be easily attached to an easel or table edge.  The platen sells for $425.00 including shipping and handling”   

Contact:
Robert Proctor
Whitten & Proctor Fine Art Conservation
1236 Studewood Street
Houston, TX 77008
Phone/Fax: 713-426-0191
www.whittenandproctor.com

 

dsca9064
dsca9063
dsca9065