The Conservation of Leather Bookbindings Workshop Review by Kasie Janssen

One month ago, I was able to attend The Conservation of Leather Bookbindings at the University of Notre Dame. The American Institute for Conservation (AIC) and the Foundation for Advancement in Conservation (FAIC) supported this 5-day workshop that was taught by book conservator and tool-maker Jeff Peachey. Conservation is a field that requires a constant love of learning new skills and techniques, so when I saw this workshop was hosted not too far from Cincinnati, I jumped at the opportunity to increase my knowledge on the conservation of leather bookbindings.

Jeff demonstrating a leather reback.

Leather is an interesting topic in book conservation, as many of the historic books we work on have full or partial leather bindings. Leather, like paper, comes in a variety of qualities, and has inherent issues as it ages over time. And we, as conservators, have many ways to combat these issues to make the books in our collections accessible to all.

This workshop offered an in-depth look at the many ways leather can be conserved, while also discussing the pros and cons of the various types of treatment options. This level of understanding is crucial part for us.  Think of it like taking a test – you can simply have the list of answers, or you can study and understand why the answers are in fact correct (any teacher will tell you they prefer the latter of these two options, and we do too!).

Joint tacketing and sewing extensions.

While the leather on the outside of a book is what most of us see when we look at our books and bookshelves, a large portion of the workshop focused on how those books are put together. If you’ve seen a leather book, you have likely seen a book that has its covers detached or missing. We talked about reattaching covers using techniques such as joint tackets, sewing extensions, slitting and slotting the boards, and tissue repairs. These are techniques that need to be considered before a leather reback, which was the final technique we learned, would take place.

One of the most beneficial aspects of the workshop was that we were able to practice these techniques on our own books. (I’ll take this time to note that these were not collection items! We like to practice on models or personal books first.) Being able to learn about the techniques and then practice them was a great way to use the hand skills needed for these types of treatments. Having our own personal examples that were treated also provides an application of how these techniques work and wear over time.

Detail of sewing extensions that come out under the original sewing supports.

The workshop also covered leather dying, as well as knife sharpening – a crucial tool for working with leather, and leather paring techniques and tools.

I have to say, the workshop happened in the week before Covid-19 began impacting the United States on a massive scale. All of the attendees remained in contact with their home institutions and families throughout the week as news progressed. The workshop, though, provided a sort of conservation utopia where we could turn off the news and focus on the profession that we all love. Jeff Peachey was an incredible instructor, offering vast amounts of knowledge and insight that we can apply to our day-to-day work. And the staff and facilities at the University of Notre Dame provided the perfect environment for our leather conservation deep dive. A sincere thank you to Jeff, the University of Notre Dame, AIC and FAIC for the wonderful workshop.

While I continue my work-from-home, I will be finishing a few of the treatments I had started during the workshop, and also practicing things like leather paring, leather dying, and repair techniques. This will ensure that when we are back in The Preservation Lab, I’ll be able to provide assistance on many of the damaged leather books that are waiting for our tender loving care.

Paring leather for a reback.

In the meantime check out some more photos from the workshop on our @ThePreservationLab Instagram!  And follow us if you don’t already to see what we are up to in our work-from-home spaces.

 

Kasie Janssen (PLCH) is the Senior Conservation Technician of The Preservation Lab, a collaborative hybrid lab of The Public Library of Cincinnati and Hamilton County and the University of Cincinnati Libraries in Ohio. She works on both special and general collection items for both institutions. She holds an MSLIS from the University of Illinois at Urbana-Champaign, and has been working in the field of conservation since 2014.

New Tool! Rebacking Jig

Arguably, rebacking is the most difficult task book conservators routinely undertake. Not only is it highly invasive, but with extensive lifting of original material on the spine and boards, there is a risk of damage to the original material. This jig mitigates some of these risks, and makes rebacking a less stressful experience.

Rebacking Jig. The heavy brass base keeps the board in place while working.

This jig to improves on several problematic aspects of traditional rebacking jigs, which are often made of bent sheet metal or plastic.  The first version I saw was a metal one that Don Etherington showed me in the 1990’s. To aid exact board alignment, this jig has enough weight to stay in place and keep the board in place. It features an adjustable angle delrin plate to support the lifted leather at any place necessary, so the fragile lifted edge is supported and protected without being stressed. Since the base of the jig is spaced away from the lifted area, the bend of the original leather can be monitored to avoid compression cracking. The delrin shield is easy to clean off when working with adhesives on the new material under it.

The rebacking jig is adjustable for all sizes of books and amount of lifted material.

This jig is made from brass and has a felt lined base. The arm extends a maximum of 6 inches. It is a sturdy and reliable instrument which fits all books.

Order your Rebacking Jig here.

The Conservation of Leather Bookbindings Workshop at Notre Dame, an Overview by Jen Hunt Johnson

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The Conservation lab at Reyniers recently hosted a week-long workshop with Jeff Peachey on the Conservation of Leather Bookbindings, organized by Liz Dube and supported by the American Institute for Conservation. You may remember Jeff from his 2018 presentation in Rare Books and Special Collections on his treatment of Dante’s La Commedia, from 1477.

Seven conservators took part in the workshop, in addition to our conservation staff at Reyniers. The hands-on, intensive workshop covered treatment decision-making, various repair techniques, leather working skills, and tool sharpening. Our group took time out to visit RBSC to view the 1477 Dante up close with Jeff and enjoy the exhibits on display. Thanks to Julie Tanaka for hosting our group.

The workshop provided the rare opportunity to learn, practice, and share with colleagues from other institutions. It was a lot of fun! We are grateful to Jeff, and to our colleagues who were able to make it to campus and stay focused during such a challenging week. Special thanks to Tosha McComb, Neil Chase, and Kathy Colbert for their flexibility and support during the workshop.

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Originally posted by ND Preservation on Tumbler.

Conservation of Leather Bookbindings Workshop