I was excited to find a small display of bindery tools at the Roycroft Campus in East Aurora, New York. Elbert Hubbard started Roycroft, was inspired by William Morris, and promoted the Arts and Crafts ethos in America during the first part of the 20th century. His press produced many books that today look aggressively “hand-made”.
The sewing frame from his bindery, however, is strikingly innovative and elegant. The support attachments are similar to the Hickock blank book sewing frame, which I think was designed and produced at least by the 1920’s. I’m uncertain which came first. I use a similar idea for clamping supports in my Nokey Sewing Frame. The curved and cantilevered uprights allow for arm clearance and stability. The late 20th century Clarkson sewing frame uses a similar design.
The rod in the front might be to wrap tapes on, so they can be continually fed upwards. It also looks like the rod itself can slide a bit in a recess, to the weight helps apply tension? There are two hinged areas, the front one may also trap the supports, and the one towards the back may contain a storage area? There is some residue on the rod, suggesting something was adhered at some point. But what and why?
The uprights can be removed, and the frame stored in the wooden box it rests on, like the Clarkson design. Given the aesthetics and the use of oak which is common in arts and crafts furniture, but uncommon for bookbinding tools, I would guess it was made at Roycroft. But the bindery display contained many other pieces of equipment from other sources, including a very nice Leo Finishing Press, so it may come from another source. It is a clever and compact design.
Like many bookbinders and conservators, I’ve used Ace bandages for many years. They are almost essential when rebacking leather bindings (apologies to Bill Minter) since nothing else has the gentle stretch and breathability. I never really wondered about the name, assuming the word “Ace” meant something like excellent, marvelous, or first-rate.
So I was interested to learn, upon purchasing an older Ace bandage in the original box, that it is an acronym for “All Cotton Elastic”.
According to the blurb on the original box,”This Ace Bandage obtains elasticity from the unique weave and its properly twisted warp of long-fibered Egyptian… Washing restores elasticity.” The familiar looking brass clips were patented by Fairleigh Dickinson in 1933, though there are only two teeth on each end, not three as drawn in the patent. The patent expired in 1950; most Ace bandages I’ve seen use something similar.
A bandage I have from the 1990’s is a looser weave, and doesn’t conform as well to irregular surfaces. One from the 2010’s made by 3M has “latex free” printed on it, is less breathable, possibly containing synthetic fibers. This is a good reminder that something that we generically call an Ace bandage may have significantly different working properties.
The older bandage stretches less when tensioned than either of my newer ones, so it can apply more compression in use. Yet another item to keep an eye out for while conducting primary research at flea markets and antique malls; aka. shopping.
A somewhat ironic placement of this DISCARDED stamp. I suspect every institution has sold, discarded, or recycled books in their collection, often quite quietly, not just the NY Academy of Medicine. I’m amazed how many books I have worked on that were deaccessioned at some point in their lives, then recollected, once again deemed valuable. What is considered a rare book changes. I’ll lay good money that a lot of currently “non-rare” books will become rare at some point in the future. Will all paper based codex books be rare someday?