Forty Bookbinding Reference Books

Florian asked, in a comment, what my most commonly used bookbinding reference books are. Below is a list, which is heavily weighted to my current interests in early nineteenth century American bookbinding.  The books below serve a variety of purposes for me. Some contain a quick review of structural history and others are key primary references. Some are a basic starting point for more in-depth research and others are a handy source of images to show clients. Anyone else have some favorites?

Appleton’s Dictionary of Machines, Mechanics, Engine-Work and Engineering. New York: D. Appleton and Co., 1852. 

Baker, Cathleen A. From the Hand to the Machine: Nineteenth-Century American Paper and Mediums: Technologies, Materials and Conservation. Ann-Arbor, Michigan: The Legacy Press, 2010. 

Bearman, Frederick, Nati H. Krivatsy, and J. Franklin Mowery. Fine and Historic Bookbindings from the Folger Shakespeare Library. Washington, DC: The Folger Shakespeare Library, 1992.

Bennett, Stuart. Trade Bookbinding in the British Isles, 1660-1800. New Castle, Deleware and London: Oak Knoll Press and The British Library, 2004.

Bloom, Jonathan M. Paper before Print. New Haven: Yale University Press, 2001. 

Blumenthal, Joseph. The Printed Book in America. Hanover, New Hampshire: Dartmouth College Library, 1989.

Bookbinding in America, 1680-1910. From the Collection of Frederick E. Maser. Bryn Mawr, Pennsylvania: Bryn Mawr College Library, 1983. 

Bosch, Gulnar, John Carswell, and Guy Petherbridge. Islamic Bindings & Bookmaking. Chicago: The Oriental Institute, 1981. 

Carter, John. ABC for Book Collectors, 7th ed. Revised by Nicholas Barker. New Castle, Delaware: Oak Knoll Press, 1995.

Comparato, Frank E. Books for the Millions: A History of the Men Whose Methods and Machines Packaged the Printed Word. Harrisburg, PA: The Stackpole Co., 1971.

Darley, Lionel. Bookbinding Then and Now. London: Faber and Faber, 1959. 

De Hamel, Christopher. The Book: A History of the Bible. London: Phaidon Press Limited, 2001.

Edlin, Herbert L. What Wood is That? A Manual for Wood Identification. New York: Viking, 1969.

Foot, Mirjam M. Bookbinders at Work: Their Roles and Methods. New Castle, DE: Oak Knoll Press, 2006. 

French, Hannah D. Bookbinding in Early America. Seven Essays on Masters and Methods. Worchester: American Antiquarian Society, 1986.

Gaskell, Philip. A New Introduction to Bibliography. New Castle, Delaware and Winchester, UK: Oak Knoll Press and St. Paul’s Bibliographies, 1995.

Gascoigne, Bamber. How To Identify Prints: A Complete Guide to Manual and Mechanical Processes from Woodcut to Ink-Jet. New York: Thames and Hudson, 1995.

Gould, F.C. The Mechanization of Bookbinding. London: Master Bookbinders’ Association, 1937. 

Harrison, Thomas. “The Bookbinding Craft and Industry” London: Pitman, [1926] Facsimile in “The History of Bookbinding Technique and Design”. Ed. Sidney F. Huttner. New York: Garland, 1990. 

Herbert, Luke. The Engineer’s and Mechanic’s Encyclopedia. London: Thomas Kelly, 1841. 

The History of Bookbinding 525-1950 A.D. Baltimore, Maryland: The Trustees of The Walters Art Gallery, 1957.

Hoadley, R. Bruce. Identifying Wood: Accurate Results with Simple Tools. Newtown, Connecticut: Taunton Press, 1990.

Knight, Edward. American Mechanical Dictionary. New York: J.B. Ford and Co., 1874. 

Krupp, Andrea. Bookcloth in England and America, 1823-50. New Castle, Deleware and London and New York: Oak Knoll Press, The British Library, The Bibliographical Society of America, 2008.

Lehmann-Haupt. The Book in America: A History of the Making and Selling of Books in the United States. New York: R.R. Bowker Co., 1952.

Lehmann-Haupt, Hellmut, Ed. Bookbinding in America: Three Essays. New York: R.R. Bower Co., 1967.

Mayer, Ralph. The Artist’s Handbook of Materials and Techniques, 5th Ed., Revised and Updated. New York: Viking, 1985.

Middleton, Bernard C. A History of English Craft Bookbinding Technique. London: Hafner, 1963. 

Pearson, David. English Bookbinding Styles, 1450-1800. London and New Castle: The British Library and Oak Knoll Press, 2005.

Pollard, Graham and Esther Potter. Early Bookbinding Manuals: An Annotated List of Technical Accounts of Bookbinding to 1840. Oxford: Oxford Bibliographical Society, 1984. 

Posner, Raphael and Israel Ta-Shema. The Hebrew Book: An Historical Survey. Jerusalem: Keter House Publishing, 1975.

Ramsden, Charles. London Bookbinders 1780-1840. London: Batsford Ltd., (reprint), 1987.

Ramsden, Charles. Bookbinders of the United Kingdom (Outside London) 1780-1840. London: Batsford Ltd., (reprint), 1987.

Ramsden, Charles. French Bookbinders, 1789-1848. London: Batsford Ltd., (reprint), 1989.

Spawn, Willman and Thomas E. Kinsella. Ticketed Bookbindings from Nineteenth-Century Britain. Bryn Mawr and Deleware: Bryn Mawr College Library and Oak Knoll Press, 1999.

Szirmai, J.A. The Archaeology of Medieval Bookbinding. Aldershot: Ashgate, 1999. 

Thomlinson, William and Richard Masters. Bookcloth: 1823-1980. Cheshire: Dorthy Tomlinson, 1996.

Tomlinson, Charles. Cyclopaedia of Useful Arts, Mechanical and Chemical…. London: Virtue & Co., 1868. 

Ure, Andrew. Dictionary of Arts, Manufactures, and Mines: Containing a Clear Exposition of their Principles and Practice. 2nd. Ed. London: Longman, Orme, Brown, Green & Longmans, 1840.

Wolf, Richard. Marbled Paper: Its History, Techniques and Patterns. Philadelphia: University of Pennsylvania Press, 1990. 

Unbelievable Book Sewing. The American Bookbinders Museum. Petition Against the Closure of the Greek Conservation Department.

sewing in the air

Chase, A. and Clow, Stories of Industry, Vol. II. (Educational Publishing Co.: Boston, New York, Chicago, 1891), 174. Author’s collection.

I can’t quite believe the above image reflects an actual practice. Sliding the books up after they are sewn? This would seem to cause extreme abrasion to the cords, thread and signatures. Cords from this time are often very weak, though. There are other suspect elements; the title is wrong and the sewing frame uprights are incredibly tall. The whole frame would likely be very unstable and the tension on the cords would be extreme; could three weak, thin, late nineteenth century cords support this weight?

Generally this image is believable, though. The body and hand positions of the women are accurate. Women from around this time could sew very fast, 2-3 thousand signatures a day. Being able to sew a large number of books without having to restring the frame would likely be a time savings. Is this image the result of artistic imagination, ignorance or possibly an accurate description of an unusual trade practice?

Whatever the case, I wouldn’t have found this intriguing image if it were not for the wonderful online bibliography of bookbinding manuals from The American Bookbinders Museum. It is annotated, so can save anyone a lot of time searching through less useful sources. The American Bookbinders Museum was also incredibly gracious host when I taught my 18th century French class in San Francisco, letting us closely examine a first edition of Dudin’s 1772 L’Art du Reliure, followed by a reception. Their collection of books, tools and machines is unique and irreplaaceable.

But The American Bookbinders Museum is currently in crisis, due to two water leaks in recent months. They need to raise a lot of money to relocate their collection.  I chipped in. How could you not contribute to a Museum that contains possibly the coolest bookbinders ticket ever?

bookbinder and taxidermist

Collection of The American Bookbinders Museum

If you would like to send a check please  make the check out to “The American Bookbinders Museum” and send it to the following address:

Bookbinders Museum Relief
c/o Taurus Bookbindery
2736 16 th street
San Francisco, CA. 94110

The Museum is a 501-(c)3  organization and all donations will be tax deductible.

For further questions contact Tim James anytime  9:00 AM-9:00 PM PST at 415-710-9369  (Tim James)   or email: Tim [at] Bookbindersmuseum.com

If you are interested in helping to find a permanent home for the Museum and insuring its future please leave your contact information at: info [at] bookbindersmuseum.com

*****

And since you are doing one good deed, how about signing this petition to help save the Greek Conservation Department as well?

Dear friends and colleagues,

The Department for the Protection and Conservation of Cultural Heritage in Zakynthos, Greece of the Technological Educational Institute of the Ionian Islands is threatened with unjust and unreasoned closure by the Greek Ministry of Education.

The profession of conservation is suffering a blow yet again, following the closure of several courses throughout Europe over the last few years and job cuts in museums, libraries and institutions, putting our cultural heritage at greater risk.

Please read our petition and if you support our cause sign it and forward it anywhere you can.

http://www.ipetitions.com/petition/greek-conservation-department-at-stake/

[NOTE: The appeal for money after you sign the petitions is for ipetitions, not Greek Conservation]

Thank you for your help,

Nikolas Sarris

_______________________________
Nikolas Sarris, PhD
Book Conservation, Assistant Professor
TEI of the Ionian Islands
Dep. for the Protection and Conservation of Cultural Heritage
Zakynthos 29100 – Greece

Accidental Book Art

needle

A Millennium of the Book, Edited by Robin Myers & Michael Harris, contains seven important essays on book history.  Likely the best known to book conservators is Nicholas Pickwoad’s  “Onward and downward: how binders coped with the printing press before 1800”.

Standing upright in the middle of a section of my copy of this book is a manufacturing error— a broken sewing needle.  I can feel it’s impression on about 30 leaves before and after it.

A material manifestation of Pickwoard’s argument in the 20th century? Accidental book art?