Online Delrin and Bamboo Toolmaking Workshops, Spring 2021.

Some of the tools you can make.

Making tools is not only engaging and fun, but entirely practical since the result is set of tools you can use daily. Book conservators, photo conservators, paper conservators, bookbinders, and others will find this workshop valuable. Filing, scraping and polishing are meditative activities, no previous experience required. Working Delrin and bamboo is a great way to start toolmaking and we will make folders, lifting tools, microspatulas, hera, creasing tools, tongs and more. This workshop also is a great way to learn how to maintain and modify your existing tools. Fair warning: making your own tools is highly addictive!

As a class, we worked through the process of making bamboo tongs, which turned out to be a great introduction to mechanics by jumping into the deep end!

OVERVIEW 

All aspects of making tools with delrin and bamboo will be discussed in detail: design considerations, thinking through working procedures, cutting, filing, rough shaping, final shaping, and polishing. The workshop consists of two 3- hour synchronous zoom sessions with PPTs, videos, discussion of handouts, demonstrations, Q&A chat sessions, and working together. Also included is two week access to the workshop website, which contains information, links, videos and PPTs. The workshop includes a kit with enough materials to make nine tools with a retail value over $300. A set of hand tools is also included: a cherry bench hook, scraper, burnisher, a file for plastics, and a variety of sanding and polishing supplies.  All you need is a stable work surface, some time to work, and an interest in making tools.

Using a Delrin lifting tool upside down to apply pressure to a paper repair.

SCHOLARSHIP

A generous patron has offered a scholarship for the “Delrin and Bamboo Toolmaking Workshop”, session to be held April 10 + 17, 2021. The award is intended for a book conservator or bookbinder with less than five years working experience, who are in need of financial assistance. International applications are welcome. To apply, contact me <https://www.peacheytools.com/contact&gt; with the subject heading “Tool Making Scholarship (your name)”. The message should consist of two paragraphs, the first explaining why this scholarship is necessary to you, the second detailing how it would benefit your work. Applications are due February 20, and the successful candidate notified on February 27. Submissions not adhering to this format will not be considered, and unsuccessful candidates will not be notified.

SCHEDULE

Two 3-hour sessions for each workshop. The workshop will be offered three times on Saturdays. February 13+20, March 13 + 20, and April 10 + 17.  12-3pm Pacific,  1-4pm Mountain, 2-5pm Central, 3-6pm Eastern, 8-11pm GMT, 9-12 CET, 10 – 1am EET, 5am – 8am (+ 1 day) JST, 6am – 9am ( +1 day) UTC

INTERNATIONAL PARTICIPANTS

Email me for an invoice to pay by credit card. I will hold your place for 24 hours after I send the invoice.

COST

$375 US ($425 Canada, $445 other countries, includes shipping)

REGISTER HERE

https://www.peacheytools.com/shop/online-workshop-making-delrin-and-bamboo-tools

M2 Hybrid Knife Video

The M2 Paring Knife used for edge and overall paring.

For spines and headcaps in full leather binding and when rebacking, several tools are usually used. Some binders like to use a straight English knife and modified spokeshave or razor blade paring machine for this. Others like to use a straight English style and a round French or Swiss knife to accomplish this. But the M2 hybrid can do the job of all of these, and many like the simplicity and economy of using one knife.

Body cam with heart center point of view!

I’ve been honing my video skills in preparation for more online workshops. Lots of new gear and tech: computer, lights, Vimeo plus, Zoom pro, wireless earbuds, GoPro, and iMovie. Oy!

I’m working on converting my repertoire of existing workshops into online versions. If there is something that particularly interests you, mention it in a comment or contact me directly!

Many thanks to Jeff Altepeter, Head of Bookbinding at North Bennett Street School, Karen Hanmer, Bookbinder and Book Artist, Henry Hebert, Conservator for Duke University Special Collections, and Andrew Huot, Owner of Big River Bindery, for sharing practical pedagogical advice about teaching online!

Using an M2 Hybrid Knife to pare into the skin.

The Most Important Tool for Most Crafts

A couple of months ago, I asked a number of colleagues what they considered the five most essential bookbinding tools. But nobody — myself included — mentioned what I now think the most essential tool for any craft is.  Ok, it may not *technically* be a tool, but it is fundamental to most crafts.

Many animals use tools like this, for example the chipmunk that used the wood stairs below to break open an acorn. The tool or piece of equipment?  A workbench.

A chipmunk used these wood stairs as a workbench to crack an acorn.

Workbenches are important to book conservators, both practically and conceptually.  A wobbly or insubstantial bench makes the most common activities much more difficult. The term serves as a shorthand for how one was trained: bench trained, apprentice trained, program trained. Every book conservation lab I’ve seen has a dedicated bench space for all full time technicians and conservators. Bench time is often specified as a percentage of work time distinct from other duties in job descriptions, though I’m always interested to hear from colleagues how accurate this turns out to be!

Why are workbenches are called benches. Aren’t they really worktables?

It turns out not to be a big mystery. Scott Landis, in his wonderful out-of-print book The Workbench Book, traces the workbench to an Egyptian carpenter’s bench from  ca. 1475 B.C.E. And guess what, early workbenches look very much like a modern bench, not a table.

Roman workbench from Scott Landis, The Workbench Book, Taunton Press, 1987, p. 8.

Landis describes a Roman bench ca. 250 B.C.E. that looks pretty much the same: a solid wood surface (about 2.75 x 14.5 x 102 inches, four splayed wooden legs, mortised into the top. Both appear roughly  knee height. In other words, a bench.

Very similar workbenches continue until the 18th century for many trades, with subtle variations. Woodworking benches often had mortices for bench dogs or vices attached.

Bookbinders are often portrayed working at one of the three fundamental tools of the trade: a lying or cutting press, a sewing frame, or a standing press. In the second quarter of the 19th century, the shift to case binding as the predominate structure likely created a need for a more table like work surface.  Many trades have different names for similar tools. For example, what most trades call a “tommy bar” bookbinders call a “press pin”. But the term workbench may have been borrowed from other trades.

Match That Workbench Contest 4
Workbench from Diderot. Do you know what trade? Source: https://toolsforworkingwood.com/store/blog/201

Joel Moskowitz of Tools for Working Wood had a fun quiz on his blog a couple of years ago, trying to match seven workbenches found in Diderot to the trade associated with them.  Although the prize is long gone, it is still quite fun to imagine  how each bench may was used. And as he mentions, no cheating by looking it up!