Upcoming Lecture: The Conservation of Dante’s 1477 La Commedia

 

The Conservation of Dante’s 1477 La Commedia

Jeffrey S. Peachey, Independent Book Conservator, New York City

3:00 p.m.  Wednesday, August 22, 2018

Rare Books and Special Collections

102 Hesburgh Library

University of Notre Dame

South Bend, Indiana 

 

 

The conservation treatment of the Hesburgh Libraries’ important copy of Dante’s La Commedia (Venice: Vindelinus de Spira, 1477) will be detailed in this profusely illustrated lecture. Its deteriorated and damaging 20thcentury binding structure will be described, as will considerations and decisions leading to its resewing and rebinding in a historically sympathetic alum tawed goatskin conservation binding. Evidence uncovered during treatment, which suggests the Inferno and Purgatorio cantiche may have circulated separately at one point, will be explored. Differences between historic 15th century binding practices and modern conservation binding techniques will be highlighted, as will the sometimes problematic differences between historic and modern materials. An overview of aesthetic considerations for conservation rebinding will conclude the lecture. Bibliophiles, conservators, librarians, Italian scholars, and anyone curious about the physical structure of books will find this lecture of interest.

All are welcome to attend.

The Battle of 1667 Physica Curiosa and the Book Conservation Fixture

Nice to see my Book Fixture getting a workout at the UCLA Library Conservation Center, battling all 1,389 pages of Gasper Schott’s 1667 Physica Curiosa. Typical of alum tawed books from this time, the spine is now very inflexible; note that the leaves start to drape about 2cm from the folds. These books are a bear trap, err, make that an elephant trap in this case.

Thanks to Chela Metzger, Library Conservator at UCLA, for initial impetus for the fixture.  And she is now Tweeting!

Peachey Book Fixture battling Physica Curiosa. Photo Chela Metzger, UCLA Library Conservation Center.
Peachey Book Fixture battling Physica Curiosa. Photo Chela Metzger, UCLA Library Conservation Center.

 

Vertigo, the Suit

As a book conservator in private practice, I’m sometimes a bit envious of my colleagues who work in libraries. They often deal with a wide variety of objects other than books. So I’m excited to start planning a housing for Kim Novak’s grey suit that she wore in Alfred Hitchcock’s 1958 classic Vertigo. This is for a private client who collects movie related items. As she pointed out to me, this suit is more than a costume, but an essential part of the storyline, much like Judy Garland’s ruby slippers from the Wizard of Oz.

grey-suit
Kim Novak’s grey suit worn in Vertigo. Made by Edith Head. My Photo.