Book-o-mat

bookomat

Popular Science Monthly,  Vol. 150: No. 6, June 1947

So far, this is the earliest book vending machine I have seen reference to. It holds 150 25-cent books.  Even though I  am familiar with the ubiquitous newspaper vending machine, book vending machines are odd.  There is an uneasy relationship between the permanent knowledge that books symbolize, and the temporal items that vending machines usually dispense.  I suspect this is why they have never been very successful, unlike a cigarette or gum machine, even though they seem to be periodically “reinvented“.  Book vending machines intimate the books contained within are not worth keeping, they are to be consumed and discarded. Books themselves symbolize the opposite– a stable record of knowledge that are meant to be saved,displayed and treasured.

 The article mentions that Hero of Alexandria invented the first mechanical vending machine over 2,000 years ago.  The vessel took in a five-drachma coin and spouted a measured quantity of sacrificial water.  It also mentions a new type of automatic vending, from Gasoteria, not on the market yet, that  “… will be good news for motorists, who know that gas tanks have a habit of running dry late at night or at other times when filling stations are closed”. (p.151)

The Most Endangered Book Species

Jessica Helfand was interviewed on the Leonard Lopate show , WNYC. She recently wrote, “Scrapbooks: An American History”  An art critic and graphic designer, she investigates scrapbooks through the lenses of social history, graphic design, folk art, personal narrative and assemblage.  She explores the  public/ private nature of scrapbooks as well as the big questions– why are scrapbooks so important to their maker, how do these “countless pieces of ephemera … collectively frame a life?” (xvi) In the 19th C. men as well as women were avid  scrapbookers and in  1873, Mark Twain patented a “self-pasting” scrapbook (#140,245) that became very popular and profitable since it dispensed with the need for glue.  Helfand’s book includes many gorgeous photos of scrapbooks from famous and unknown people, presented straightforwardly in all their acid burned glory.   It is also an impressive example of bookmaking– many of the images of scrapbook pages are laid out on the recto and verso pages, requiring very careful registration when printing and binding. The blurb reads:

“Combining pictures, words, and a wealth of personal ephemera, scrapbook makers preserve on the pages of their books a moment, a day, or a lifetime. Highly subjective and rich in emotional content, the scrapbook is a unique and often quirky form of expression in which a person gathers and arranges meaningful materials to create a personal narrative. This lavishly illustrated book is the first to focus attention on the history of American scrapbooks—their origins, their makers, their diverse forms, the reasons for their popularity, and their place in American culture.”

Scrapbooks are perhaps the most endangered of all book species.  Even today, they are routinely dismantled, mainly because of the serious challenges for conservators (and the costs that these entail) because of the wide variety of media, adhesives and ephemera contained in them.  This book will help conservators convince clients of the importance of preserving scrapbooks in their entirety, that they are more than the individual items contained within them.  It is precisely because of the wide variety of materials that scrapbooks contain that give us a unique insight into the mind and time period of the maker. Vernacular culture rules!

She relates the scrapbook to current digital technologies, “The scrapbook was the original open-source technology, a unique form of self expression that celebrated visual sampling, culture mixing, and the appropriation and redistribution of existing media.” (xvii)  and is exploring the idea in a blog post called “Facebook:  The Global Scrapbook”  Her insightful, critical blog post about the current scrapbooking movement, is well worth reading, as well as the comments, some of which verge on the hostile.

Below are two images from the book.

scrapbook

 

scrapbook2

The Book is Like a Hammer

James Gleick wrote a op-ed about books, physicality  and publishing in the New York Times.   He writes, “As a technology, the book is like a hammer. That is to say, it is perfect: a tool ideally suited to its task. Hammers can be tweaked and varied but will never go obsolete.”  This succinctly sums up the relationship between two of my passions- books and tools.  He ends with a charge to those who make books, “Go back to an old-fashioned idea: that a book, printed in ink on durable paper, acid-free for longevity, is a thing of beauty. Make it as well as you can. People want to cherish it.”