Upcoming Events In June

If you are in the New England area, consider attending the Book Arts Supply Market.

Book Arts Supply Market
June 7th, 2009
12:30-4:30
Arlington Center for the Arts
41 Foster Street
Arlington, MA

I will be there with a full range of tools for sale, including the infamous bargain box, which is quite full right now.

I also have prototypes of some new tools I am working on, for example, a portable, collapsible sewing frame that only weighs 1 lb, 12.4 oz (804 grams) including 5 Al sewing keys.  It is 11 3/8″ (290 mm) between the uprights and packs flat at only 1 1/8″ (30 mm).  Rubber feet keep it from sliding around on the workbench.

portable sewing frame

Also I have a reproduction of the boxed set of knives I made for Abraham Karastovsky, which I wrote about earlier and were featured in the book “Homicide in Hardcover.”

ak knives

Please stop by and say hello!

 

*******

 

I will be presenting the following talk in NYC on Sunday, June 21 at 3:00.  Please feel free to repost and contact me if there are any questions.  I also have a half sheet flyer I can email anyone who would like to post it.  I envision this talk as a type of outreach, since it contains information about book history and conservation.    It should be a lot of fun.

 

THE UNIVERSITY OF TRASH PRESENTS:

THE OBSOLETE MAN AND THE OBSOLETE BOOK?

 Sunday, June 21 at 3:00 pm at SculptureCenter in Long Island City, NYC.

 The Free Skool at the University of Trash announce an Jeffrey S.  Peachey’s presentation titled “The Obsolete Man and the Obsolete Book?” The University of Trash is an experiment in alternative architecture, urbanism, and pedagogy taking place in SculptureCenter’s main space. Throughout the summer there will be a mix of workshops, screenings, and presentations focusing on grass roots, self-organized urbanism, DIY architecture and the evolving aesthetics and politics of public space.

Peachey will screen an original Twilight Zone, “The Obsolete Man”, present a short lecture, then lead a discussion based on some of the issues it raises. Peachey is the owner of a New York City-based studio for the conservation of books.  Because of his experience in examining and treating a wide variety of historic book structures, he is especially interested in how humans have interacted with the physical form of the book over the past 1,600 years, the importance of non-texual information and how the book has acquired such symbolic power.  The images of books in this episode form a locus for a variety of issues—authority, freedom, history, truth, the state, individuality, identity and conformity—that are explored in a classic Serlingesque manner.

 “I am nothing more than a reminder to you that you cannot destroy truth by burning pages.” Romney Wordsworth (Burgess Meredith) declares when the Chancellor (Fritz Weaver) pronounces him obsolete, and then condemns him to death.  Wordsworth, a secret librarian, lives in a room not only surrounded by books, but virtually built out them.  Considering aspects of book conservation, Peachey will deliver a short lecture touching on some of the ideas explored in the film, looking at how books are displayed in Wordsworth’s apartment, commenting on the various book structures portrayed and linking these to themes presented in the episode. Models of several historic book structures will available for handling. Then some more general observations on the value of non-textual elements of books will be made, along with the challenges of conserving these elements.

 This will be followed by an open discussion.  Possible topics include questions about the supposed death of the codex; the importance of non-textual elements in books; books as physical expressions of authority; books as moving, portable hand held sculpture; books as democratic instruments; the display of books as externalized knowledge; hand interaction in reading; and most importantly, how closely is our culture inexorably linked with the history of the book.

 This event is free, and there is a $5 suggested donation to the museum.

 Jeff Peachey:

https://jeffpeachey.wordpress.com/

 SculptureCenter:

http://www.sculpture-center.org/

The University of Trash:

http://www.universityoftrash.org/

 Attendees are encouraged to preview the entire Twilight Zone episode at:

http://www.imdb.com/video/cbs/vi759562265/

 info@universityoftrash.org

bookshevles

Book-o-mat

bookomat

Popular Science Monthly,  Vol. 150: No. 6, June 1947

So far, this is the earliest book vending machine I have seen reference to. It holds 150 25-cent books.  Even though I  am familiar with the ubiquitous newspaper vending machine, book vending machines are odd.  There is an uneasy relationship between the permanent knowledge that books symbolize, and the temporal items that vending machines usually dispense.  I suspect this is why they have never been very successful, unlike a cigarette or gum machine, even though they seem to be periodically “reinvented“.  Book vending machines intimate the books contained within are not worth keeping, they are to be consumed and discarded. Books themselves symbolize the opposite– a stable record of knowledge that are meant to be saved,displayed and treasured.

 The article mentions that Hero of Alexandria invented the first mechanical vending machine over 2,000 years ago.  The vessel took in a five-drachma coin and spouted a measured quantity of sacrificial water.  It also mentions a new type of automatic vending, from Gasoteria, not on the market yet, that  “… will be good news for motorists, who know that gas tanks have a habit of running dry late at night or at other times when filling stations are closed”. (p.151)

Sony and Stony

 

sony-and-stoney1

I am struck by how closely the dimensions of  the 7th century Stonyhurst Gospel (now renamed as St. Cuthbert’s Gospel of St. John) match the screen size of the Sony Portable Reader System PRS-505.  On the left is a model of the Gospel, which is described in the literature as being 134-138mm high, and 90-95mm wide (1:1.49).  The screen of the Sony Reader is 124mm high and 92mm wide (1:1.35).   Coincidence? Perhaps. But might their dimensions relate to our hand size or comfortable handheld viewing range?  These books are separated by 13 centuries!

I played with the Sony last weekend at the Small Press Fair in NYC. I was impressed by the resolution of the eink at any viewing angle, but page turns were agonizingly slow, and accompanied by an epeliptic inducing flash of background reversal– the text would go white, and the “page” black for a split second.  I also tried out a prototype of the next version, which has a touch screen interface, but doubt this would be a great advantage when reading.There is a promotion on now at Sony—  enter promo code:  10sonyclassic    You can get 10 free ebooks to read on your computer or ebook reader  from the “classics” collection– think 19th C. standard DWM’s.  

I think the Stonyhurst needs a tagline too.  How about “The Stonyhurst: Carry the Gospel of St. John in one hand.”

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