Manual Peachey Board Slotting Machine

Board slotting is likely the strongest and least invasive method of treating detached boards. Detached boards are the most common point where bookbindings fail.  Christopher Clarkson developed the technique in the late 1970’s. The board slotting tab at the top of this page and the board slotting blog offers more information concerning its history, technique and recent advances.

The original Peachey Board Slotting Machine, developed in 2005, is used in conservation labs around the world. It is, however, a somewhat large and expensive machine, and best suited for large institutions. The Manual Peachey Board Slotting Machine is a new affordable alternative for individuals, regional centers, smaller institutional labs and even larger labs with space limitations. This smaller machine can be moved out of the way when not in use, freeing up valuable bench space. It is also simpler to operate.

The Manual Peachey Board Slotting Machine features stops that automatically guide the positioning of the blade when starting and stopping a cut. In order to make this machine more affordable, three aspects are limited as compared with the original machine: the maximum length that can be slotted is 15″ (rather than 17.75″), the board needs to be manually pulled or cranked using a hand wheel, and the angles for slotting are not infinitely adjustable, but can be set at 11, 13, and 15 degrees. These are the most common angles used. In fact, I use 13 degrees about 90% of the time, 11 for very thin boards, and 15 for thick ones.

This machine is less intimidating when compared to the original. The orientation makes it easier to sight the height of the blade. The carriage can be quickly pulled back into starting position after the end of a previous cut. This also makes partial (or biscut) slotting of a board very fast and easy. Overall, the slotting operation seems to be quicker. Many bookbinding and conservation students, such as those from North Bennett Street School, have been trained in the fundamentals of board slotting.  A one to three day workshop on machine operation, basic slotting technique and structures is recommended, though.

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SPECIFICATIONS

-Width of the machine -12″, Height- 19″, Length- 22″

-Weight 30 lbs. Easy to move and store when not needed.

-Fast and intuitive operation.

-The sliding board carriage can be quickly moved to the starting position at the end of a slot, or between biscuit slots.

-Maximum height of board that can be slotted: 15″

-Dust collector hooks up to a standard vacuum cleaner.

-Thick and thin solid carbide blades included for long cutting life.

-Automatic blade positioning for starting and stopping a cut.

-Boards can be slotted by pulling or cranking.

-Safety guards (not pictured) keep hands away from the blade in use.

-The motor, and other operations are similar to the original machine.

-No electrical transformer needed for international operation, just plug adaptors.

-This machine can be shipped pre-aligned, but still needs some assembly.

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I have a machine in operation at my NYC studio if you would like to examine and give it a test drive. Please contact me if you have questions or need a formal price quote including shipping, assembly and training.

Introductory Price:  $4,950.00  (Regular price $5,500.00)

Soon to be Published! Suave Mechanicals: Essays on the History of Bookbinding, Volume 1

UPDATE 2/13/2013: This book is now available for purchase from The Legacy Press

I’m quite excited about this forthcoming book for two reasons: my essay on the beating of signatures is included and I’m really looking forward to reading the other essays. Julia Miller is the editor as well as the author of an essay on scaleboard bindings. This is the first of a volume of a planned series on the history of bookbinding.  Binders take note, there will be copies in sheets available. This book is scheduled to be published in early 2013 and if you want to know when it is published email: thelegacypress (at) comcast.net

Cathy Baker, founder of The Legacy Press,  also publishes a number of other award winning books on book and paper history. I wrote a review of her own excellent book, From the Hand to the Machine: Nineteenth-Century American Paper and Mediums, Technologies, Materials and Conservation, in the The Bonefolder, Volume 7, 2011. Books from her press are thoughtfully designed, well made, and most importantly contain valuable, original content.

My essay, “Beating, Rolling and Pressing: The Compression of Signatures in Bookbinding Prior to Sewing”  is a comprehensive examination of the tools, techniques and effects of beating. It is difficult to overestimate the importance of beating in the forming the appearance and function of virtually all textblocks from the handpress era. Prior to the 1830’s, all bound book were beaten by hand with hundreds—likely many hundreds—of hammer blows. Records indicate it could account for up to 25% of the cost of a binding.  Today beating is virtually ignored or barely mentioned, even in most book histories and in specialized workshops on historical bindings. Beating hammers are very rare and I’ve only located about a dozen of them, though I suspect there are many more as yet unidentified. The study of the history of tools is often divorced from the study of the history of the objects they were used to make: here, I attempt to integrate the two. I trace the history of beating, the evolution of beating tools and machines, and interpret the results of beating in an essay of over 21,000 words with 42 illustrations.

Abstract for “Beating, Rolling and Pressing: The Compression of Signatures in Bookbinding Prior to Sewing”

The tools and techniques of bookbinding have received little attention within the study of book history, bibliography and book conservation. From the fifteenth century until the beginning of the nineteenth, the compression of book signatures prior to sewing was accomplished by hand beating with a large hammer. Signatures were beaten for various reasons at different times, but generally to meet expectations of solidity, smoothness, and openability. In 1827 the introduction of the rolling machine replaced hand beating in large binderies in England, and quickly spread to other countries. Both literally and figuratively, the transition from hand beating to the rolling press demarcates the end of bookbinding as a vernacular hand craft and the beginning of machine bookbinding. Papermaking, printing and book structures also changed radically around this time. The rolling press and descriptions of other presses are well documented in early bookbinding manuals, trade records, nineteenth century encyclopedias and other accounts of which together provide an unusually rich and detailed insight into this time period. This study will follow one technique of bookbinding—the compression of signatures prior to sewing—and investigate how it was done, how the tools changed, what the technique meant to the bookbinders, and how it affects the bookbindings themselves.

Planning and Constructing Book and Paper Conservation Laboratories: A Guidebook

Planning and Constructing Book and Paper Conservation Laboratories, edited by Jennifer Hain Teper and Eric Alstrom, has recently been published. It is the first book to be written on this topic, and thirteen conservation professionals have contributed their expertise.  I wrote a chapter, “Special Considerations for Private Book Conservation Labs.”  This book can be purchased from the American Library Association store.

Overall, this book contains practical and technical advice for establishing, remodeling and updating book and paper conservation labs. Although the book is targeted to institutional book conservators, many of the chapters—especially Design and Layout, Water Purification, Lighting,  Ventilation and Exhaust, Ergonomic Considerations for Equipment, and Considerations for Private Book Labs—are likely to be of use to private practice book conservators and bookbinders.

My chapter specifically deals with the challenges of private practice, and includes many practical tips on evaluating and procuring used tools and equipment. It also discusses the pros and cons of industrial, store-front and home-based labs. I tend to view private practice labs as more personal than institutional ones, but they should present a professional image to the public which reinforces the ethical, conscientious conservation services performed within them. Additionally, I offer advice for fitting a fully outfitted lab into a small space. Much of the information in my chapter can be applied to book conservation labs and binderies.

Contents:

Chapters 1 and 7 are available free.

1. Project Management for the Construction of Conservation Laboratories- Donia Conn

2. Design and Layout- Eric Alstrom

3. Special Collections, General Collections, and Hybrid Conservation Laboratories-Whitney Baker

4.Water Purification and Treatment- Jennifer Hain Teper

5. Lighting- Diane Vogt-O’Connor

6. Laboratory Ventilation and Exhaust Systems- Laura McCann and Kristen St. John

7. Custom-Built Furniture and Equipment- Shannon Zachary and Gillian Boal

8. Ergonomic Considerations for Furniture and Equipment- Heather S. Caldwell

9. Quarantine and Segregation Rooms- Ramona Duncan-Huse

10. Special Considerations for Private Book Conservation Laboratories- Jeffrey S. Peachey

11. Special Considerations for Paper Conservation Laboratories- Claire Hoevel

Planning and Constructing Book and Paper Conservation Labs, Edited by Jennifer Hain Teper and Eric Alstrom. 230 pp, Published by ALCTS, 6 x 9″, Softcover, ISBN-13: 978-0-8389-8601-1, $67.95, 2012.