Dita Amory Madame Cezanne (New Haven: Yale University Press, 2014), 181.
In Dita Amory’s recent book on Cezanne, one section discusses the sketchbooks he used and includes a footnote referencing my claim that the early nineteenth century publishers three piece cloth case is the most radical innovation in book structure in centuries. This reminds me that I should be supporting this claim by working on my book about early nineteenth century bookbinding rather than writing this blog post.
Peachey Conservation 