Sharpening on a Book on Sharpening

Most bookbindings function as protection for the text contained within.  This, however, is a bookbinding that also functions as a strop. I rebound Ron Hock’s The Perfect Edge: The Ultimate Guide to Sharpening for Woodworkers in reverse calf in order to make it work as a not-so-fine binding/ strop.  This book is one of the best on sharpening, containing an excellent overall assortment of information.  It is loaded with practical advice, overviews of the various sharpening systems and informative photos.  I recommend it as a textbook to accompany the sharpening workshops I teach.

Anyway, this was the first time I constructed a reverse calf binding– the paring took a bit more time since most of the strength of the leather (hair side) was cut away, and the caps were a bit tricky to form. The book was sewn on 5 quarter inch linen tapes, the edges decorated with Golden Fluid Acrylics chromium oxide green mixed with airbrush medium and Staedtler Karat water-soluble  pencils, and the endbands simply sewn in purple silk over a cord core.  The front cover was coated with a .5 micron chromium oxide honing compound, for preliminary stropping, the back left bare for a final polish.  It will be interesting to see how it looks in a couple of months when the metal particles start to build up.

How Many Soles

How many soles have tread on this board shear clamp pedal?  How many decades did it take the original deep crosshatching  to become almost completely eroded in the center of the pedal? How long did it take for the original japanning to become mirror polished? How many different people have used this machine?  How many shins has this pedal bloodied?  How many blades has this machine had? How many cloth case bindings have been cut on this machine?  How many boxes? How many curses have been hurled at this machine,when something was miscut?

And how many times has this board shear subtly retaliated, going minutely out of square, cutting one book board a hair short, tearing material rather than cutting, or even pinching a finger in quiet defiance, only to be stepped on once again?

Knife Box

I always use a tool holder when I’m working, which I wrote about in a previous post.  Ken Gilbert designed and sells these cool knife boxes to transport and hold a variety of knives while you are working. Boxes like these have an advantage over tool rolls, in that they have a smaller footprint on your bench. The trays flip up so you can see what tool you are looking for, and they are protected from banging around in transport. Additionally, it may encourage binders to purchase more than a paring knife and lifting knife set, which I enthusiastically endorse!

Ken Gilbert is a bookbinder  at Willow Bindery in Shrewsbury, Mass. and a member of the New England Chapter of the Guild of Bookworkers.  Contact Ken directly if you are interested having one made for your knives.