Tying the Future to a Thread

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J. Howard Atkins, Tying the Future to a Thread. Medford, Mass: Oversewing Machine Co. of America, Inc., 1968. Front Cover. Middleton Z 269.5 .A8 1968. http://library.rit.edu/cary/

What appears to be a 1970’s post-apocalyptic novel concerning the dangers nuclear stockpiling is actually about a far more dangerous situation. OVERSEWING!

A gem from the Cary Graphic Arts Collection, Bernard C. Middleton Collection, Rochester Institute of Technology.

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Could pass for an artist book installation. J. Howard Atkins, Tying the Future to a Thread. Medford, Mass: Oversewing Machine Co. of America, Inc., 1968. p. 18. Middleton Z 269.5 .A8 1968. http://library.rit.edu/cary/

But seriously, friends don’t let friends oversew.

The End of Rolling. Sort of.

My 2013 essay, “Beating, Rolling, and Pressing: The Compression of Book Signatures Before Sewing” in Suave Mechanicals, Vol. 1, ended with many questions concerning when bookbinders generally stopped using the rolling machine. Endings are much messier and imprecise than beginnings. We know that the rolling machine was introduced to the trade in 1827. But when did binders stop using it? Many tools and machines in bookbinding are used for centuries.

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Rolling Machine from Joseph W. Zahnsdorf, The Art of Bookbinding, 6th ed., London: George Bell and Sons, 1903. (11) My Collection. Bonus question: what is missing in this illustration?

We know that the use of the rolling machine gradually declined at some point during the nineteenth century. Yet It is still referenced in several 20th century bookbinding manuals, including Zaehnsdorf’s 1903 edition of Bookbinding. Zaehnsdorf had a deeply personal connection to the machine: his father’s right hand got trapped  between the rollers, and even after many months in the hospital, he never regained complete use of it. It had an impact on him, so to speak.

A couple of weeks ago, while looking through the Richard M. Hoe and Company records, 1824-1953 (MS#0599) at Columbia University’s Rare Book and Manuscript Library, I read a fascinating typescript, written by Steven D. Tucker, who began working for Hoe in 1834 as an apprentice mechanic. It is filled with recollections of mechanical details of machines, the evolution of the factory, and the types of machines they were making.

In particular, he writes that in 1856,  “There was also brought out (sic) a Book rolling or pressing machine, but few of these were ever built, bookbinders seeming to prefer the large embossing press for that purpose.” (43)  To me at least, this seems a good indication of the transition time. Hoe thought the rolling press was still in demand, at least enough to  warrant the development and manufacture of one, but he was slightly behind the curve, as many binders moved on to using an embossing press to compress signatures before sewing, ending the era of rolling and beginning the era of smashing.

R.I.P. the Rolling Press, 1827-1856 ish.

 

 

 

A Box for Oversize Books

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A drop-spine box for heavy and oversize books. The cut out areas on each side of the inner tray allow both hands to lift the book out.

For large, heavy books there are a couple of ways to beef up a regular drop-spine box.

Like most people, I usually make them with double walls.

I also make a modified inner tray, so that both hands can lift the book when removing it. The book this is for is around 19 x 15 inches, and quite heavy.

For even larger books, a lift off lid is a good idea, so the box doesn’t take up so much table space when open.

Since this book will be stored flat, on a metal shelf, and the client intends to read it once a week, there is a a slide off bottom piece to wear out.  Even a durable cloth, like this canapetta, can wear quite quickly when slid on and off the shelf, there is an example here. It is adhered by friction, and when it wears through the client can mail it back for a new one, much cheaper than a new box.

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The partially removed bottom piece. It slides off, but stays in place by hooking over the edge of the head and tail squares.