Blank Book Sewing Frame, Part Two

Earlier this year I wrote a post about the  Hickock Blank Book Sewing Frame.  I finally got to see one in person this past weekend, thanks to Karen Hanmer, bookbinder and book artist, who brought it to the Historic Cloth Case Class I was teaching at Columbia College, in Chicago last week.

It is a very cool sewing frame, beautifully made, and works for all types of sewing supports: cords, tapes or thongs.  The brass t-slots are stamped with the a Hickock logo in the middle (barely visible in this image) and I think the brass is the same thickness and size as the large pressboards that they also manufactured. A small screwdriver type tool tightens or loosens the buttons.  She mentioned that the only drawback is that because of the size of the buttons, supports cannot be spaced too closely together.  I suspect that the only reason the top bar is adjustable is that the uprights were  a standard Hickock product.  Also the front keeps the frame from sliding around, although the lighter colored wood in the bottom picture appears to be either a replacement or later addition.  Because the supports are at the front of the frame, it is much easier to start sewing, or sew in the round.  The buttons make tensioning the supports a breeze, with no complex knots or keys to deal with.  In the 1920’s, this frame cost $15.00, verses $4.50 for a standard frame about the same size, which may be why it didn’t became more popular.

I was so impressed by the frame, that I have started experimenting making a modern version, out of aluminum, with closer spacing for the supports, and with a little luck I should have a prototype by the end of the summer.   I plan to make the uprights on a hinge, so that the frame, when collapsed, will be less than two inches in thickness for easy, dust-free storage.

Images courtesy of Karen Hanmer.

The Thread That Binds: A Book Review

I recently reviewed “The Thread that Binds: Interviews with Private Practice Bookbinders” by Pamela Train Leutz in The Bonefolder, Volume 6, No. 2, Spring 2010.  Here is the beginning of the review:

“In a field as small as bookbinding, a book reviewer occupies a precarious position, since they often have personal knowledge of, if not direct relations with, the author. At the very least, the reviewer and author are usually connected by a friend, or friend of a friend. So reviewing a book that includes interviews with 21 of leading bookbinders currently working in the field places this author in a position beyond precarious – an ideal chance to anger friends, alienate acquaintances and antagonize colleagues. The book even featured a long, highly complementary blurb from the publisher of this journal, Peter Verheyen on the back cover.

Foregrounded by these preoccupations, my hands trembled as I unwrapped my review copy…”

Read the entire review here.

Round Knives

round knife

I noticed this egyptian relief of sandal makers in the Archeological Museum of Florence.  It dates from the 36-30th Dynasty, 664-343 BC.  The round  knife pictured in the middle has changed very little in the past 25 centuries.  Below is a modern one that CS Osborne makes, which according to one web site has been the world’s best selling 5 inch round knife since 1826.

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