Upcoming Lecture: The Conservation of Dante’s 1477 La Commedia, Harvard University, November 19, 2019

What: A Lecture, The Conservation of Dante’s 1477 La Commedia

Who: Jeff Peachey

Where: Schlesinger Library, Harvard University, 3 James Street, Cambridge, MA

When: 6:00 – 8:00pm, November 19, 2019

 

The conservation treatment of of Dante’s 1477 La Commedia will be detailed in this profusely illustrated lecture. An examination of the remains of earlier binding structures, and decisions that lead to its resewing and rebinding in an alum tawed goatskin conservation binding will be discussed. During the treatment, evidence was found suggesting that the Inferno and Purgatorio cantiche may have circulated separately at one point. Differences between historic 15th century binding practices and modern conservation binding techniques will be highlighted, as will the difficulties of achieving a sympathetic relationship between original and new binding materials. Observations on the history, nature and idea of conservation rebinding will conclude the lecture, followed by an audience discussion. Conservators, bibliophiles, bookbinders, librarians, Italian scholars, and anyone curious about the physical structure of books will find this lecture of interest.

Dante rebound in a alum tawed calf.

 

Peachey Bio

Peachey is an independent book conservator and toolmaker based in New York City. For more than 25 years, he has specialized in the conservation of books for institutions and individuals. He is a Professional Associate in the American Institute for Conservation, has taught book conservation workshops internationally, and was awarded fellowships from the Rockefeller Foundation Bellagio Center (Italy) and the University of Toronto’s Fischer Library (Toronto). He is a Visiting Instructor for the Library and Archives Conservation Education Consortium (LACE) of Buffalo State University, New York University, and the Winterthur/ University of Delaware. “Ausbund 1564: The History and Conservation of an Anabaptist Icon” is his latest publication.

Sponsored by the NE Chapter of the Guild of Book Workers.

New and Used Tools for Sale at the Guild of Book Workers Standards Conference, Philadelphia, October 24 – 26

New Merch! Peachey embroidered logo apron.

It has been quite a while since I vended at the Guild of Book Workers Standards of Excellence, so I decided to pull out all the stops this year and start to sell off some of the used tools and books I’ve collected over the years. Of course, all the new tools I make will also be available to inspect, test drive, and purchase.

I have a big bag of free horse butt scraps, no purchase necessary. Perfect to make small strops and blade covers.

You don’t have to be registered for the conference to attend. The Lowes Philadelphia Hotel is the venue in downtown Philadelphia, and vendor hours are Thursday October 24, 10 – 6, Friday 8 – 8, and Saturday 8 – 3:30.

I’m bringing around 75 books about books to sell, including these.

I’m also bringing a huge bargain box, filled with used bookbinding related tools: Starrett dividers, weights, knives, some prototypes of tools I currently make, a few older versions of tools — kind of a garage sale, really! All super discounted.

Even if you don’t want to buy anything, please stop by to say hi! It is always fun for me to meet those who read this blog.

A peek at the Bargain Box. First come, first serve!

Interview with Jeff Peachey from NTD Television

A couple of weeks ago, Shiwan Rong and her crew from New Tang Dynasty News interviewed and filmed me in my studio. I recounted how I entered the field of conservation, explained some of the differences between conservation and restoration, and demonstrated a few bookbinding techniques. It was interesting to see what made it into the final cut, and despite some quibbles, overall it presents a reasonably accurate summary of what I said., considering that a three hour interview was cut down to two minutes!

One of the first questions was something like “How does it feel to be a master craftsman in the dying art of book restoration?”. This allowed me to explain that first of all, I am not a master craftsman, though I suppose anyone can call themselves one. Secondly, I discussed the differences between restoration, conservation, and bookbinding. Finally, I argued that the study and importance of the material nature of the physical book is thriving, not dying, in a large part because we as a society are not dependent on books simply for textual information. All in all, I hope the interview can educate the general public a bit about books and book conservation.

The video is accompanied by a written article and still images:

Treasures from a well made book: NY book conservator saves books for the future.