Cathryn Miller’s Five Essential Tools for a Book Artist

Top to Bottom: a custom scribing tool, well used Olfa Model 5001, Olfa swivel cutter with scalpel blade, ruler, and hemostat

Cathryn Miller

Book Artist. Byopia Press, Blog, Instagram

In my practice I create artist’s books and content-sensitive altered book works. I rarely use the sewn codex as a format, so I did not include an awl —I have three lovely ones in different sizes made for me by my partner David— or a needle. My two most used tools in any project are a home-made scoring/scribing tool and an Olfa snap-off-blade knife. I also use a scalpel when cutting, especially curves. The eighteen inch steel rule is absolutely essential. The surgical forceps would not have made my list under normal circumstances, but I discovered that they were the only tool I own that would enable me to assemble my most recent artist’s book.

The tools I would miss most:

Bone folders (four at this point)
Glue brushes (though I have been known to use my fingers)
Swivel knife and Circle Tool
Set of graduated width steel rules
Kutrimmer 1080

 

Julia Miller’s Five Essential Tools for a Book Historian

Julia’s five essential tools. Wait a second, are there six? Isn’t a book a tool?

Julia Miller

Book Conservator, Author, Book Historian

A Bone folder, Caselli microspatula, mechanical pencil, Clover brand awl, and tape measure. With an excellent reference for guidance (more always sought for), a few more simple tools, and the appropriate materials, I can take notes, think through, and model the early codex bindings that have and continue to teach me so much about early codex structure. Frustrating fun, don’t you know?

Erin Fletcher’s Five Essential Bookbinding Tools

Erin’s five essential tools. Since she is locked out of her studio, she had to draw some of them from memory!

Erin Fletcher

Hand bookbinder specializing in embroidered bindings

Herringbone Bindery

1. My oldest tool: a classic bone folder
I reach for this tool every day in the studio to assist in many aspects of my work. I’ve definitely developed an attachment to this specific bone folder and experience a mini panic attack if I can’t find it.
2. Pin Vise
I find my pin vise essential for both my bookbinding and embroidery work. As opposed to an awl, I appreciate the versatility of a pin vise. Switching out the size of the needle based on the work offers me more control. I talk up this tool every chance I get during workshops.
3. Embroidery Scissors
These small, slender scissors that cut to the point are great for snipping small stitches and getting me out of a bind when I make an error. Plus embroidery scissors come in a wide range of colors and designs, so they’re great for collecting.

4. Tracing Paper
After drafting the design for a binding, I reach for the tracing paper to use throughout the design and binding process. It’s perfect for determining the layers of a design. I also use tracing paper to place onlays and pre-punch for embroidery. And it comes in handy for tooling.

5. Olfa Snap-Off Blade Cutter
I think it’s important to use tools that feel comfortable in your hand. This particular style of Olfa knife is my absolute favorite. It’s slim and wide, but not too slim or too wide. I bought several replacements during a trip to Tokyo!