As primarily a conservator, the majority of the time, I set a book on the bench for conservation and repair, and immediately gather my primary tools.
In order of reach are:
The bone folder which was gifted to me by my mentor, when I started my apprenticeship. I have since been gathering folders that I like, but are not as married to as this one, so that I may give a bone folder to those I teach, should the time arise. This is tradition for me, more so than an immediate need for the folder in the first part of the conservation work.
Next is the Olfa 9mm, with Ultrasharp black blades. They’re worth the relatively minor increase in cost, as they last far longer than the regular blades, for my work needs. When I switched to the retractable from an X-acto knife, I stopped bleeding by about 90%, per book. I have to have sharp blades, good visibility and dexterity without sacrificing safety, as I disbind a book, open hinges and trim leather to fit.
Third is my my large steel spatula. This assists me with most lifting, as I can feel far greater subtlety in the process of lifting a delicate page, than I can with the lifting knife my sensei taught me to make. When I need good, old-fashioned horse power and material removal, I go to the hacksaw based blade. When I want to feel the difference between lifting paper and the first layer of board, this is what I need.
Fourth, will be the dental scraper/pick. When the proteinaceous glue on the spine, is cantankerous after three applications of wheat paste or Metyl Cellulose, the fourth application of glue removal compound is coupled with detailed work to keep as much of the fold integrity as possible, while removing as much old glue from the crevasses as can be.
Finally, the fifth tool I wouldn’t be without is the Peachey Delrin folder
. I chose this shape because I needed to be able to smooth down larger sections of leather or end-papers, fold and manipulate leather and paper and generally be able to work with straight PVA in some areas. The Delrin doesn’t feel as flimsy in my grumpy fingers as does a folder made of Teflon. It also has the tendency to stay out in my hand and not go flying around the table like a watermelon seed violently pinched between thumb and forefinger. From paste to PVA, this folder provides me with the ability to smooth no small range of cloth, leather and papers to provide an aesthetically pleasing finished product for the client.
If I were to add anything to this list, I would add two types of brushes, and a one meter long, non-cork back straight edge, with millimeter gradations.
The two types of brushes: Good natural bristle paste brushes, and a good set of artificial bristle brushes of varying size, for PVA application.
With the first 5 tools, I can conserve most things.