Peachey Conservation provides book conservation and bookbinding services for private individuals, collectors, dealers, and institutions. Peachey also invents, makes, and sells tools for bookbinding and conservation.
One of the best ideas for a standing press I’ve seen. The adjustable bottom platen solves a lot of problems for modern binders and conservators, that often are working on only one book at a time. It would alleviate the need to add heavy wood packing materials, and the lower platen could be positioned at a comfortable work height.
According to the patent description, “This patent model demonstrates an invention for a bookbinders standing press which was granted patent number 30243. The press has a platen, or upper follower, lowered in the usual way by an iron screw, and a bed, or lower follower, that was raised by a rack and pinion.” Patent date 2 October 1860, Pelletreau, Maltby K.
The ratchet would allow for tremendous pressure with short swings of the press pin, and were not uncommon for heavy duty presses in the 19th century.
A couple of months ago, I asked a number of colleagues what they considered the five most essential bookbinding tools. But nobody — myself included — mentioned what I now think the most essential tool for any craft is. Ok, it may not *technically* be a tool, but it is fundamental to most crafts.
Many animals use tools like this, for example the chipmunk that used the wood stairs below to break open an acorn. The tool or piece of equipment? A workbench.
Workbenches are important to book conservators, both practically and conceptually. A wobbly or insubstantial bench makes the most common activities much more difficult. The term serves as a shorthand for how one was trained: bench trained, apprentice trained, program trained. Every book conservation lab I’ve seen has a dedicated bench space for all full time technicians and conservators. Bench time is often specified as a percentage of work time distinct from other duties in job descriptions, though I’m always interested to hear from colleagues how accurate this turns out to be!
Why are workbenches are called benches. Aren’t they really worktables?
It turns out not to be a big mystery. Scott Landis, in his wonderful out-of-print book The Workbench Book, traces the workbench to an Egyptian carpenter’s bench from ca. 1475 B.C.E. And guess what, early workbenches look very much like a modern bench, not a table.
Landis describes a Roman bench ca. 250 B.C.E. that looks pretty much the same: a solid wood surface (about 2.75 x 14.5 x 102 inches, four splayed wooden legs, mortised into the top. Both appear roughly knee height. In other words, a bench.
Very similar workbenches continue until the 18th century for many trades, with subtle variations. Woodworking benches often had mortices for bench dogs or vices attached.
Bookbinders are often portrayed working at one of the three fundamental tools of the trade: a lying or cutting press, a sewing frame, or a standing press. In the second quarter of the 19th century, the shift to case binding as the predominate structure likely created a need for a more table like work surface. Many trades have different names for similar tools. For example, what most trades call a “tommy bar” bookbinders call a “press pin”. But the term workbench may have been borrowed from other trades.
Last week, I blogged about a scene from a movie depicting a copy press on top of a safe, and wondered if it was a way they were actually used in offices. Darryn Schneider of DAS Bookbinding in Australia sent me this wonderful image he found from the State Library of Victoria. Bingo! Well, at least there is one documented example….