Bookbinder’s Pliers

The Bookbinder’s Pliers. It securely holds commonly used bookbinding needles.

When sewing books or endbands, it is sometimes helpful to grip the needle with a pliers in order to position it or increase leverage. Standard pliers do not grip a needle securely, and the jaws are the wrong shape for these types of manipulations. Precise needle control is also essential in book conservation, for in-situ resewing of loose signatures, endband reinforcement, and various types of board reattachment. If you have ever had to pierce a parchment spine lining, you will likely understand the purpose of these pliers immediately. These pliers are also great for removing staples.

The Bookbinder’s Pliers. Fits needle sizes from 24 gauge (.020″) to 12 gauge (.104″) The massive 12 gauge needle on the right is an antique John James, labeled bookbinders needle. Possibly it was intended for sawn-in cords?

The Bookbinder’s Pliers have a small groove cut near the tip, which securely grip needle sizes from 24 to 12 gauge. (.020″ – .104″)  Note that 18 and 15 gauge needles are most common in bookbinding, though conservators may need smaller sizes for specialized tasks.

The Bookbinder’s Pliers holding a 24 gauge needle. Tip: always sew with needles that have eyes the same size as the shaft to prevent an excessively large hole in the paper.

The jaws are ground to .375″, which is wide enough to leverage and guide the needle through stubborn materials, but narrow enough to get close to the work. All edges of the pliers are rounded to prevent potential damage to the book and the user.

The Bookbinder’s Pliers fitting comfortably in the hand.

Made of stainless steel, this precision tool fits comfortably in the hand. The pliers have a box joint to apply even pressure. About 4.5″ long. You will wonder how you ever worked without these.

Purchase your Bookbinder’s Pliers here.

 

New Tool! Rectangular Baren

 

Around a year ago, I had a couple of really large boxes to make — around 22 x 30 inches — and quickly grew tired of holding my folder when smoothing the cloth. I tried using a printmakers baren, but the round shape felt awkward for bookbinding. Then a few weeks ago, while poking around an antique mall, I picked up an antique chalkboard eraser, found the ergonomics of it appealing, and realized with a Delrin sole and wood handle, a similar tool could be great for smoothing and adhering large pieces of paper and cloth to bookboard. The rectangular baren was born.

The size is comfortable to hold with one hand or two, and it is thick enough to hold without running your fingers into the work. Perfect for big projects, edition binding, paper conservation, or for anyone who finds gripping small folders difficult. The Delrin sole is non-marking,  .75” thick, has rounded edges, and there is a recessed finger gripping area. The tool has a pleasing heft. This first batch has apple wood handles, which are silky smooth. Approximately 6.5 x 2.5 x 1.75”.

Purchase the Rectangular Baren at Peachey Tools

 

 

 

500th Blog Post. A Look Back at the First One: Philosophy of Conservation

Eleven years ago when I started this blog. I didn’t have a clear idea of what it would become, I just wanted some kind of presence on the web. Over time it has become a place to investigate book history, advertise my book conservation business, examine some of my tool collection, promote my workshops, dip my toes into the philosophy of craft, and announce new bookbinding tools.

Two years ago, the tools moved to  Peachey Tools.  I use instagram for more image based sharing. The board slotting machine has a following among book conservators, my book conservation and tool businesses keep chugging along, and I do a fair amount of teaching.

Looking over my posts, they keep returning to four main topics: tools, books, craft, and conservation.

An unintended benefit of sustained blogging is how it feeds longer term writing projects: sometimes by immediate gratification, sometimes by regular practice, and sometimes by feedback from readers. Tom Conroy in particular deserves a thank you for his 52 comments, many of which contain new information, and several which exceed the word count of the original post!

Below is my first blog post — a mini-manifesto, really — my philosophy of conservation. Those who know me may be surprised I’m not as pessimistic concerning the future of book conservation as I was in 2008. The quality and sensitivity of book conservation has increased in the past 11 years, at least from what I see of it, and  book conservation education continues to evolve with change as society and the uses and values of books change. But there is still much work to do. Onward!

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Philosophy of Conservation (originally published  17 April 2008)

It was almost 100 years ago that Douglas Cockerell wrote, “Generally speaking, it is desirable that the characteristics of an old book should be preserved… It is far more pleasant to see an old book in a patched contemporary binding, than smug and tidy in the most immaculate modern cover.”   Today, I am disheartened to find what little has changed; rows and rows of rebound or insensitively rebacked volumes, giving no hint of their original nature.  All to often, books and the information they contain are needlessly  destroyed by inappropriate or outdated techniques.

As microfilming, photocopying, and digital methods of storing and transmitting conceptual information become more and more prevalent, I feel the intrinsic aspects of books and paper artifacts: their physical construction, material content, aesthetics, and tactile qualities, are irreplaceable and will prove to be the most valuable.  These are the aspects I preserve for future generations.

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Bookbinding and the Care of Books Lyons and Burford,  p. 306