Japanese Burnishers, Part Two

Part One of my investigation into Japanese Burnishers concluded by mentioning the next step would be to make a larger version with a Delrin sole.

After testing this new iteration for a couple of weeks, I find the larger size much more useful for the way I work, perfect for high pressure/ low friction applications. Paper conservators may find the smaller, more precise tool desirable. Both sizes have a plum wood handle which is attractive and has a silky smooth feel. They are easy to make in five steps.

The sequence of making a Japanese style burnisher.

The basic premise is simple: all you have to do is remove everything that is not the final shape of your burnisher.

  1. Rough out the wood with a bandsaw, a turning saw, or coping saw using the template below, or one of your own choosing. Fruitwood is ideal for this, at least 5/4 thick.
  2. Refine the basic shape using a carving axe.
  3. Smooth the axe work with a spokeshave and define the inner curve with a half-round rasp.
  4. Sand everything smooth and add a Delrin (or material of your choice) sole. Screw into place.  Tips on shaping Delrin.
  5. Finally, apply a coat of your favorite wood finish. I like Watco Danish oil finish for this purpose, which in this case darkens the plum wood beautifully.
The template shape I like to begin with. Make it comfortable for your own hand!

I keep finding more uses for this tool, most recently while laminating museum board to make wooden board thickness boards for a rebinding. It is also great for smoothing linings on the inner trays of drop spine boxes, or other operations where a lot of pressure is necessary. The heel of the sold is rounded in order to apply extreme pressure. The raised handle makes it easy to pick up, and it looks quite attractive sitting on my work surface. Even a client has commented on it.

 

 

Peachey Tools in May 2018 National Geographic

National Geographic, May 2018. “Explore” section.

The May 2018 National Geographic Magazine “Explore” section has a gorgeous two page spread of Yasmeen Kahn’s book conservation tools. Kahn is a rare book conservator at the Library of Congress. Both my  A2 leather handle paring knife  (#10) and  two inch brass triangle (#5) are included!

Many of her tools are quite interesting. She mentions the unusually shaped bamboo tool (#7) is useful for cleaning spines. Was it originally intended to be some kind of pen? I can easily imagine how the chunk of Lapis Lazuli (#2) would fit into my hand for burnishing. This also explains why the majority of Islamic manuscripts at LC have blue streaks on the repair paper (just kidding!!!). She made a very nice looking paring knife out of a hacksaw blade (#10). I’m really into this hybrid blade shape.

Depicting tools out of their working context by carefully arranging them emphasizes their aesthetic qualities. This begins ca. 1690 in bookbinding with the engravings that ended up in Dudin’s Art du Relieur. Some of my own tool collection hangs on a wall in my studio, again, for the aesthetics. But they are easily removable in case duty calls, mounted with magnets or between finishing nails.

Can you identify these tools? Hint: most are not bookbinding tools, and I won’t argue if someone opines #1 is not technically a tool.

A Japanese Burnisher

This week I am guest blogging on the The Book and Paper Gathering, a site which delivers conservation information in a light-hearted, easy-to-digest manor.  A conservation magazine, rather than a peer reviewed journal. It is well worth spending some time reviewing their previous posts.

The Most Beautiful Tool in the World: A Japanese Burnisher

Exactly twice in my life I’ve seen a tool and immediately felt such a keen a desire to possess it that my secular observance of the eighth commandment was severely tested.

Drooling over Robert Minte’s collection of Japanese hera at the Bodelian Library in 2010 was the first time. They were so elegant, simple, beautiful — perfect tools, I thought. It was the longest flight of my life back to New York City, my fingers itching to make some for myself. Over time, I learned more about bamboo, shaping bamboo, and continue to keep making them today

The object of desire the second time was also a Japanese tool, though in this case a burnisher, and…  READ THE REST AT THE GATHERING