The Miniature Bookbinding Tool set is once again available for sale. I took a couple of years off to rest up my muscles. Ironically, it takes more strength to hold these while grinding and filing, than normal sized ones. The tools are made 1/6th scale, i.e. the Delrin sharpening plate on the left is two inches long, not twelve. They are made from the same materials the larger ones are, but please don’t expect to actually use them, they are much too small to hold comfortably. If you want a knife to use to make miniature books, I recommend my Flexible Mini Knives, and the cutting area can be made narrow if you desire, just let me know. The Miniature Bookbinding Tool Set is for the miniature book enthusiasts (you know who you are) or a gift for the binder who has everything. Seventeen tools are included, l-r: a Delrin sharpening plate, Peachey style French knife, Flexible paring knife, bone folder, small Powell shaped lifting knife, heart shaped finishing tool, brass triangle, engineers square, bookbinder’s hammer, swiss style paring knife, pallet, dissection scalpel, large Powell shaped lifting knife, French paring knife, cord wrapped paste brush, English style paring knife, and a strop. Supplied in a cherry box.
Elaine Nishizu, a bookbinder in Los Angles California, made this beautiful box to house a set of these tools. It is in the Guild of Book Workers California Chapter Member Exhibition, 2016. Elaine describes it: “The box structure has a reversible spine that folds back on itself like a Jacob’s ladder. It’s covered in Japanese paper and a French printed paper by Claude Braun. The box is lined with black ultra suede and has a magnetic closure.” Note: this box does not come with the tool set.
Miniature books are like cheap crack for many bookbinders and collectors. Once you get a taste, you want more. Miniature books are usually defined as being less than three inches in every dimension, though some accept them up to four. For me, the ultimate miniature book — which is quite likely unattainable — would be one that not only looks like its big brother, but also replicates its function.
Gargantuan books often stand alone. Most of us only make one. And swear not to do it again. If you make one, you are not only faced with the expense of materials, difficulty in finding equipment large enough to bind it, but then have to store and exhibit it somewhere. They are proud and boastful; I am the largest, the tallest, heaviest, etc… . Many rare book collections have one special display case for their Audubon, and keep it on more or less permanent exhibition. I’ve never heard of anyone who collects them, or a class devoted to making them.
There isn’t even a standard definition of what a size they should be. So I’ll propose a gargantuan book exceeds 33 inches in any dimension, just slightly larger than the longest side of normal handmade paper.
Many gargantuan books are made with non-traditional materials; some may not have pages, so it is not inappropiate to question if they should be considered books at all. They might be blooks or book shaped objects. Having a sequence of pages, or somehow referencing the idea of a sequence, is a critical difference in my opinion. Of course, it can be argue that any book contains the two basic seeds of a narrative, a before and an after. Eric Kwakkel considers a “real” big book one that is meant to be read, not created as a gimmick. Quality rarely enters the discourse: it’s all about quantity.
Wikipedia and the Guinness World Book of Records offer different accounts of what is the current largest book in the world is; significantly, both are religious texts. Symbolic monuments designed to impress us with their authority and power.
Below are a few gargantuan books I find noteable.
Appearing around 39:12, and again around 1:46:09 is a very well crafted book. It appears to be tooled in gold and blind, with deep type impressions and indentations around the bands on the (leather?) spine. Even the decorative paper sides realistically match the scale of the book. Sensitivity to the scale of details is where the wow factor comes in, both in mini and big books. Thanks to Tom Conroy for bringing this to my attention. The entire opera is spectacular, BTW.
Exhibit two is the The Opera on the Lake of Bregenz. Yes, those are lilliputian actors standing on the open book. The 1999-2000 performance of Verdi’s Masked Ball had the entire stage made up of a book, held open by Death. Thanks to John Townsend for this reference.
Slightly more prosaic is this edition titled Butan: A Visual Odyssey Across the Himalayan Kingdom, which weighs in at 133 lbs, and open is 7 feet by 5 feet. There are a few copies for sale on ABE books in the $300- $500 range, which must make it one of the cheapest books per square inch available. I imagine the materials alone would have cost more. There is a very nice write-up about it on the University of Washington’s Special Collections site.
The making of this book was well documented a few years ago. It took a crane to install it into the exhibition space. A heroic production.