Forty Bookbinding Reference Books

Florian asked, in a comment, what my most commonly used bookbinding reference books are. Below is a list, which is heavily weighted to my current interests in early nineteenth century American bookbinding.  The books below serve a variety of purposes for me. Some contain a quick review of structural history and others are key primary references. Some are a basic starting point for more in-depth research and others are a handy source of images to show clients. Anyone else have some favorites?

Appleton’s Dictionary of Machines, Mechanics, Engine-Work and Engineering. New York: D. Appleton and Co., 1852. 

Baker, Cathleen A. From the Hand to the Machine: Nineteenth-Century American Paper and Mediums: Technologies, Materials and Conservation. Ann-Arbor, Michigan: The Legacy Press, 2010. 

Bearman, Frederick, Nati H. Krivatsy, and J. Franklin Mowery. Fine and Historic Bookbindings from the Folger Shakespeare Library. Washington, DC: The Folger Shakespeare Library, 1992.

Bennett, Stuart. Trade Bookbinding in the British Isles, 1660-1800. New Castle, Deleware and London: Oak Knoll Press and The British Library, 2004.

Bloom, Jonathan M. Paper before Print. New Haven: Yale University Press, 2001. 

Blumenthal, Joseph. The Printed Book in America. Hanover, New Hampshire: Dartmouth College Library, 1989.

Bookbinding in America, 1680-1910. From the Collection of Frederick E. Maser. Bryn Mawr, Pennsylvania: Bryn Mawr College Library, 1983. 

Bosch, Gulnar, John Carswell, and Guy Petherbridge. Islamic Bindings & Bookmaking. Chicago: The Oriental Institute, 1981. 

Carter, John. ABC for Book Collectors, 7th ed. Revised by Nicholas Barker. New Castle, Delaware: Oak Knoll Press, 1995.

Comparato, Frank E. Books for the Millions: A History of the Men Whose Methods and Machines Packaged the Printed Word. Harrisburg, PA: The Stackpole Co., 1971.

Darley, Lionel. Bookbinding Then and Now. London: Faber and Faber, 1959. 

De Hamel, Christopher. The Book: A History of the Bible. London: Phaidon Press Limited, 2001.

Edlin, Herbert L. What Wood is That? A Manual for Wood Identification. New York: Viking, 1969.

Foot, Mirjam M. Bookbinders at Work: Their Roles and Methods. New Castle, DE: Oak Knoll Press, 2006. 

French, Hannah D. Bookbinding in Early America. Seven Essays on Masters and Methods. Worchester: American Antiquarian Society, 1986.

Gaskell, Philip. A New Introduction to Bibliography. New Castle, Delaware and Winchester, UK: Oak Knoll Press and St. Paul’s Bibliographies, 1995.

Gascoigne, Bamber. How To Identify Prints: A Complete Guide to Manual and Mechanical Processes from Woodcut to Ink-Jet. New York: Thames and Hudson, 1995.

Gould, F.C. The Mechanization of Bookbinding. London: Master Bookbinders’ Association, 1937. 

Harrison, Thomas. “The Bookbinding Craft and Industry” London: Pitman, [1926] Facsimile in “The History of Bookbinding Technique and Design”. Ed. Sidney F. Huttner. New York: Garland, 1990. 

Herbert, Luke. The Engineer’s and Mechanic’s Encyclopedia. London: Thomas Kelly, 1841. 

The History of Bookbinding 525-1950 A.D. Baltimore, Maryland: The Trustees of The Walters Art Gallery, 1957.

Hoadley, R. Bruce. Identifying Wood: Accurate Results with Simple Tools. Newtown, Connecticut: Taunton Press, 1990.

Knight, Edward. American Mechanical Dictionary. New York: J.B. Ford and Co., 1874. 

Krupp, Andrea. Bookcloth in England and America, 1823-50. New Castle, Deleware and London and New York: Oak Knoll Press, The British Library, The Bibliographical Society of America, 2008.

Lehmann-Haupt. The Book in America: A History of the Making and Selling of Books in the United States. New York: R.R. Bowker Co., 1952.

Lehmann-Haupt, Hellmut, Ed. Bookbinding in America: Three Essays. New York: R.R. Bower Co., 1967.

Mayer, Ralph. The Artist’s Handbook of Materials and Techniques, 5th Ed., Revised and Updated. New York: Viking, 1985.

Middleton, Bernard C. A History of English Craft Bookbinding Technique. London: Hafner, 1963. 

Pearson, David. English Bookbinding Styles, 1450-1800. London and New Castle: The British Library and Oak Knoll Press, 2005.

Pollard, Graham and Esther Potter. Early Bookbinding Manuals: An Annotated List of Technical Accounts of Bookbinding to 1840. Oxford: Oxford Bibliographical Society, 1984. 

Posner, Raphael and Israel Ta-Shema. The Hebrew Book: An Historical Survey. Jerusalem: Keter House Publishing, 1975.

Ramsden, Charles. London Bookbinders 1780-1840. London: Batsford Ltd., (reprint), 1987.

Ramsden, Charles. Bookbinders of the United Kingdom (Outside London) 1780-1840. London: Batsford Ltd., (reprint), 1987.

Ramsden, Charles. French Bookbinders, 1789-1848. London: Batsford Ltd., (reprint), 1989.

Spawn, Willman and Thomas E. Kinsella. Ticketed Bookbindings from Nineteenth-Century Britain. Bryn Mawr and Deleware: Bryn Mawr College Library and Oak Knoll Press, 1999.

Szirmai, J.A. The Archaeology of Medieval Bookbinding. Aldershot: Ashgate, 1999. 

Thomlinson, William and Richard Masters. Bookcloth: 1823-1980. Cheshire: Dorthy Tomlinson, 1996.

Tomlinson, Charles. Cyclopaedia of Useful Arts, Mechanical and Chemical…. London: Virtue & Co., 1868. 

Ure, Andrew. Dictionary of Arts, Manufactures, and Mines: Containing a Clear Exposition of their Principles and Practice. 2nd. Ed. London: Longman, Orme, Brown, Green & Longmans, 1840.

Wolf, Richard. Marbled Paper: Its History, Techniques and Patterns. Philadelphia: University of Pennsylvania Press, 1990. 

Studio Reopening

New Studio

Finally my new studio is set up.

In a fairly compact space, I’ve managed to squeeze in 21 linear feet of workbench surface and all the essential equipment for bookbinding and book conservation.  Equipment includes a circa. 1895 Jacques board shear, Hickock lying press, Nilfisk GS80 HEPA variable speed vacuum, Hickock 001/2 book press, Schaefer S2 stamping press, Peachey manual board slotting machine, Altair spine stamping machine, and a Museum Services cold suction platen.

Rereading Planning and Constructing Book and Paper Conservation Laboratories proved useful when thinking about my new space. It is borderline embarrassing that I even found my own chapter useful. I would like to add one bit of advice: although it is fun to think about the efficient storage of commonly used materials and tools, it is equally important to know when to stop theorizing and try things out for a while.

The bench tops are all a double layer of 3/4″ maple faced plywood with at least a 2″ overhang for clamping. They are 37.5″ high, and the main bench 32″ deep. I decided to try the “other” position for the book press; the opening is positioned 90 degrees relative to the front of the mounting surface. This should make sighting critical alignments easier, ie. press board to book board edge.

The island workspace on top of the flat files serves three functions: a convenient place to examine and discuss treatments with clients, a nice big desk for writing, and is great for natural light photography, since it is equidistant between two windows. My most used reference books are easily accessible.

Soon, back to book work….

New Address. New Email. New Studio

I’m moving today.  New address:

Jeff Peachey

Book Conservator

37 Nagle Ave., #3C

New York, NY 10040

jeffrey.peachey (AT) gmail (DOT) com

Although there will be some delays while I set up during June, I plan to be fully functional by July for conservation work. Since I haven’t moved in 23 years, so am a little out of practice. If you want to order tools, please email me what you would like, and I will let you know once I am on my feet. I’m now located in upper Manhattan and I’m more than happy to give a tour if you are visiting NYC.

The piece de resistance of my new studio is a two part workbench base with ten drawers that Deborah Evetts gave me. Deborah is the former conservator at The Morgan Library & Museum, and now in private practice. She recieved it as a gift from Julia P. Whiteman, who was an amateur bookbinder in New York CIty and a student of Edith DIehl. She was also a serious collector of books, and donated 50 manuscripts, many printed books, and an important collection of technical descriptions of bookbinding to the Morgan.

It will be a privilege to use this workbench. Not only is it beautiful, but it has a very distinguished provenance. Thanks Deborah!