Eleven years ago when I started this blog. I didn’t have a clear idea of what it would become, I just wanted some kind of presence on the web. Over time it has become a place to investigate book history, advertise my book conservation business, examine some of my tool collection, promote my workshops, dip my toes into the philosophy of craft, and announce new bookbinding tools.
Two years ago, the tools moved to Peachey Tools. I use instagram for more image based sharing. The board slotting machine has a following among book conservators, my book conservation and tool businesses keep chugging along, and I do a fair amount of teaching.
Looking over my posts, they keep returning to four main topics: tools, books, craft, and conservation.
An unintended benefit of sustained blogging is how it feeds longer term writing projects: sometimes by immediate gratification, sometimes by regular practice, and sometimes by feedback from readers. Tom Conroy in particular deserves a thank you for his 52 comments, many of which contain new information, and several which exceed the word count of the original post!
Below is my first blog post — a mini-manifesto, really — my philosophy of conservation. Those who know me may be surprised I’m not as pessimistic concerning the future of book conservation as I was in 2008. The quality and sensitivity of book conservation has increased in the past 11 years, at least from what I see of it, and book conservation education continues to evolve with change as society and the uses and values of books change. But there is still much work to do. Onward!
Philosophy of Conservation (originally published 17 April 2008)
It was almost 100 years ago that Douglas Cockerell wrote, “Generally speaking, it is desirable that the characteristics of an old book should be preserved… It is far more pleasant to see an old book in a patched contemporary binding, than smug and tidy in the most immaculate modern cover.” Today, I am disheartened to find what little has changed; rows and rows of rebound or insensitively rebacked volumes, giving no hint of their original nature. All to often, books and the information they contain are needlessly destroyed by inappropriate or outdated techniques.
As microfilming, photocopying, and digital methods of storing and transmitting conceptual information become more and more prevalent, I feel the intrinsic aspects of books and paper artifacts: their physical construction, material content, aesthetics, and tactile qualities, are irreplaceable and will prove to be the most valuable. These are the aspects I preserve for future generations.